Spielberg and Kushner Smear Israel

If Spielberg's "Munich" is in fact well represented in Andrea Levin's description, then he's committing a deceit of some moment, of some magnitude, which, with Spielberg's gloss and imprimatur, with Kushner's seductive conceits and with Hollywood's power to propagate and impress, very much helps to further establish the perduring set of lies which in turn compose the basic "Palestinian" duplicity and misanthropy.

Jacques Ellul's (among others) meditations on technology and technique and on propaganda, are genuinely great instruments for comprehending what Spielberg, et al. are, both consciously and unconsciously, engaged in. It's essentially a kind of late modern dualism where great sophistication is combined with superficial or shallow categories. The sophistication pertains to the deployment of technique and technology in tandem with sophistical manipulations of abstractions and ideational associations in general. The superficial aspect pertains to misapprehensions, elisions, occlusions, complicities, seductions, etc., all roughly guided by PC or general zeitgeist sensibilities, rather than veridical and probative analyses.

All that is something of a broad abstract, one which needs to be understood Socratically rather than in simple, reductionist or positivist terms, but rightly understood critical comprehensions are there nonetheless.

Why do you want to join Hizbollah? You are Shiite and oppose Israel's existence? You oppose Turkey's alliances with Western powers? You oppose Kurds in Diyarbakir, Turkey? Do you oppose the PKK as well?